Darien DeVries

Well today is all about getting things done and I should really start with a VERY long overdue blog post.

I make a vow right now to post something at least every week, even if it’s short and sweet. Now to catch you up…

Synopsis:

The first term at the Clown Conservatory was fun and trying. There’s the physical challenge, of course, (although I wake up much less sore these days – oh noes, I need more training!) but the emotional impact is pretty significant as well. It is not as easy as you might think to open up, say YES to everything, and to be vulnerable. Vulnerable in the character you present as a clown, but also full of knowledge that what you experiment in your performing work may FAIL utterly in front of an audience. Or that it may only slightly not work and you only have one show in front of an audience so you don’t quite know what didn’t work or how to fix it and isn’t that frustrating?!

Ahem.

While I’ve seen a bit of Commedia Del’Arte and have a basic understanding of the archetypes, we explored it in more depth and I would like more time to study it still. Commedia was rather challenging for me. Mask work in general was very challenging for me. While I feel connected to my body (now, more than ever, that’s for sure!) I still never felt while working with the masks that I was fully able to communicate all I could without use of my face. I played Arlecchino and while I am fairly certain I mastered the walk and overall movement of Arlecchino,  I never felt like I  quite achieved the full character in order to verbally inhabit Arlecchino completely.

Accomplishments:

• My juggling skills have increased 50 fold. I can juggle two balls in one hand and can do several 3 ball tricks. On to clubs!
• I can balance a pool cue on my chin, nose, and forehead for about 30 seconds consistently. Working on shorter dowels.
• Ballet has given me much better balance. I can stand on one foot easily, and can hold in fifth position releve quite well. My posture has improved and I feel that my overall stance is stronger.
• My tumbling has vastly improved – shoulder rolls come easily, cartwheels are stronger – and I can do them on my non-dominant side, I’m on my way to doing a handspring, my arch is more flexible, and I’m only 1 1/2-2 inches from the floor in front/back splits and 3 in a straddle split.
• My ability to open up and improvise has increased, and I feel comfortable once again doing improv acting.

Since the beginning of the year, we have had one show, featuring clown entrees. These are scenes between two or more clowns, although sometimes they are solo with the clown partnering with the audience, that use a general framework for story and outcome, but allow the individual clowns to decide the dialogue, blocking, etc. Entrees challenged me quite a bit and I was concerned that I would not be able to make the two I participated in work for me. I wanted it to be engaging and funny – but most of all, something that connected with the audience. Finally, it clicked for me, leading me to the following revelation:

I don’t have to throw out my former career to be a clown.

I was so happy to escape a life in an office, turning people into numbers that I forgot that that sort of position or status is *exactly* the type of person my clown character could be! The day before our clown entree performance, I worked with my partner to re-envision our entree, Little Bee, with me as a *Career Placement Advisor* !!  (yes, you folks from my CDS past, I DID use the word ‘placement’! I thumb my red nose at your industry taboo word!) This new look at my clown character also helped me put together some fun walk-around business for pre-show, interviewing audience members for ridiculous jobs, mostly animals.

“ah, I see you are here for the wasp position. exactly what is the measurement of your stinger?”

=D

Clown Projects on the Horizon:

• Juggling to music for Core Clowning class
• Circus skills routine for Circus Skills class (if the juggling to music works out, I may use this for both)
• Duck vs Hunter partner routine for Mime class
• Monday, March 1st, Perform clown entree, Dollar Bill, at the Climate Theater in the ALL WOMEN CLOWN CABARET

Now for the official plug:

ALL WOMEN CLOWN CABARET!

Come to the Climate Theater at 285 9th Street at Folsom in San Francisco – Monday March 1st at 7 or at 9!
Get your ticket in advance for only $10  or $15 at the door if they aren’t sold out already!

http://www.brownpapertickets.com/event/98829

So my posts are way behind. But this is a good thing as I’ve been kept extremely busy with Circus Center.
I shall quickly recap. School began about 5 weeks ago on September 8th. As it turns out, clowns need to have a lot of skills for their craft. It’s not just all about big shoes, red noses, and cramming ourselves into tiny cars.

Here is my class schedule:

Tuesday-
9:00-10:30 Dance (Ballet this term)
10:30-12:00 Acrobatics
12:00-1:00 Lunch
1:00-4:00 Core Clowning
4:00-6:00 Individual skills practice

Thursday-
9:00-11:00 Circus Skills
11:00-12:00 Body Awareness
12:00-1:00 Lunch
1:00-4:00 Core Clowning
4:00-6:00 Individual skills practice

Friday-
9:00-10:30 Mime
10:30-12:00 Acrobatics
12:00-1:00 Lunch
1:00-4:00 Core Clowning Modular Class (guest instructor)
4:00-6:00 Individual skills practice / Informal Friday performance

So that’s 18 hours of class a week. We also have to read at *least* a chapter each week, meet with our reading groups to discuss the readings, and every few weeks create a performance piece based on the readings. We also have routines to rehearse outside of class.
I have thoroughly enjoyed all the classes, although they can be very trying. Acrobatics leaves me feeling like I was hit by a truck the following morning but at the same time, feeling very strong. Although gaining muscle has made me lose flexibility, I feel like a more powerful being. Plus, I can stand on my head now and am working on walking on my hands. Circus Skills is an exciting class because I feel like I can do anything there – Judy Finelli, my instructor, has a way about her and suddenly I am successful in all that I put my mind to there. It’s amazing. Body Awareness and Mime have really helped me be specific in the ways that I use my body, adding new dimensions to each piece I perform. Core Clowning teaches us classic routines and challenges us to make them our own. I am constantly exhilarated and terrified there.

But… as I’ve been told, and learned myself, clowning is all about being vulnerable. And I am finding myself vulnerable doing some of the exercises and routines asked of me. Sometimes they just hit an emotional chord and other times it’s just a matter of doing something totally new and being ready to fail utterly. Failing is safe to do here at school and is actually encouraged because the trying is what’s important. But even so, it takes a certain level of vulnerability. This, of course, leads me to be vulnerable in other areas of my life. But having Arleth here has really helped keep me in balance and I am grateful for her presence.

Northern Faire has also been going on since school started, helping me with my homesickness for my friends/faire family. It also provided a great way for me to practice at least 5 hours a weekend juggling by working at the juggling school!! The past two weekends and this upcoming weekend was/is performing with the Merry Wives and it’s been so wonderful seeing the girls. I missed them so much!! What’s also really great is that I have been able to use what I’ve learned in school to improve my performance in the Wives’ show. For example, my teacher, Jeff Raz, was explaining how to invite an audience member on stage to participate and this proved quite effective for me this past weekend. I didn’t feel like I was dragging anyone on stage but rather that I was inviting them to something very special. I guess I should have always felt this way but it’s nice to have the reminder of purpose.

Our next big project at school is a research assignment. While this may be difficult to do the work on, I will actually be providing new secondary resources for the clown world in general. There is not much written about our field so each of our reports will be adding to the circus library as a whole. which frankly — is really freakin’ cool. I’m nervous about doing the legwork for the research but excited all the same. eeeeeee!!

Up next: CLOWN CONSERVATORY CLASS OF 2010’s FIRST PERFORMANCE!!
This Thursday, October 15 – yes, tomorrow! - at 2:30 pm at Circus Center

If you are in the Bay Area and have a Thursday afternoon free, please come on out and support us first year clowns. The theme of our performance is “Who Am I?”

Again, many thanks for your support, my friends. More updates on my adventures soon!

So one of the wonderful things about my mechanic, aside from him being a nice guy interested in keeping me safe (and keeping my repeat business) is that he is located next door to a cool magic shop. I have been shopping there for years and one of the gentlemen who works there has even gotten me into the Magic Castle once or twice. Great place – I always get my fake mustaches there.

I managed to get my little truck over to the repair shop without it overheating too badly – although it was hissing again when I arrived – and left it in my mechanic’s capable hands. Mosied over to the magic shop, remembering that I had bought a single Dube Airflight club a year or so ago. Yes, just one. I figured it was all I would be mastering at first and could afford only one at the time. Today, I felt it was time to get the full set.  They didn’t have any more Airflights but had a complete set good for learning on so I got those.  It really was a good thing that my car brought me there, because I would likely not have remembered to go over there to make the purchase.

I had a lovely time practicing juggling one club outside while awaiting the arrival of my ride to work. It helped bring some attention to the little shop and allowed me to get comfortable with clubs again. The shop owner even brought me a bottle of water for the service. But even better, when I mentioned I am a stilt walker, he let me know he is looking to offload a pair of drywall stilts at a good price. How awesome is that!? It’s the only type of stilt I feel I am missing (I own some fantastic pegs and a set of poweriserz) and they would be perfect for those gigs where it’s necessary to stand in one place a lot for photo ops.

I knew there was a reason the universe hit me with the triple whammy of Mercury! What a funny 24 hours. ha!